Smooth Jazz and More Radio started with
and idea and a dream!
I've been a fan of Jazz music since
I started listening to my father's Jazz LP's as a kid.
Growing up in Brooklyn, while everyone was listening to Soul and
Top-40, I became a fan of New York's legendary radio
station, WRVR.

The station was the home to some of the city's finest jazz
music. Many of the Disc Jockeys, such as Les Davis were apt to
give historical insights to the music of Armstrong, Basie,
Ellington, Holiday, etc.
When the radio station abruptly
left the airwaves in 1980 and changed formats to Country music, I
was left heartbroken and angry. For a time, I didn't
listen to Country until I met my wife, Kelly, who is a big Country
fan. (Opposites attract!!)
When I graduated from high
school, I attended Sullivan County Community College in 1981. It
was there that I
managed to find Les
Davis. This time, he moved to an all night jazz radio show on WVNJ.
Back then, the station used to broadcast it's signal all the way up
to Sullivan County.
I remember the show being on at
7pm and would continue through 7am, when it would go back to play
easy listening music. When that radio station left the
airwaves in 1986 in favor of Top 40 music, I was left with another
void to fill.
After graduating from college, I
moved to Northern California in 1987. There, I was exposed to
three great radio stations,
KJAZ, which was the traditional jazz station for over
30 years,

KBLX, nicknamed "The Quiet
Storm", which played more R&B than jazz, but was still
a great listening radio station,

and KKSF, a smooth jazz radio
station that started 1987 and is still going
strong today.

The one aspect that made KKSF unique at the time
was their ability to play music that no one else heard of.
Artists like Michael Tomlinson, the Yellowjackets, Julia
Fordham and others. (Many of the songs can be heard on my
radio station today!)
Upon moving back East in the
late 90's, I noticed a disturbing
trend in the radio industry. Many radio stations were being gobbled up by corporate
conglomerates, who's only job was not to put good music on the air,
but to make money and generate ratings.
Many radio stations
such as KKSF were bought and their playlist conformed to play
only popular jazz and R&B music. Other radio stations like
KJAZ were sold and the formats turned over to something more
profitable.
The trend was evident when I moved to Syracuse.
In 1997, Central New York had a Smooth Jazz radio station called,
"Smooth FM CD 106.9, WHCD".

Because it was owned by a small group
of local investors, they had no
chance against big-named companies such as Clear Channel and Citadel when it came
to advertising dollars. I was also frustrated by corporate
radio's lack of diversity and it's drive for the almighty
dollar. The eventual sale and format change in the September,
2000 was the last straw for me.
I decided that I had enough of corporate
broadcasting's dominance of FM radio. I branched out on my own
and formed my own radio station on the internet. Smooth
Jazz and More was born.

With the help of Live365.com and a
bunch of my own CD's, I brought back radio
to the way it supposed to be, music without boundaries. No time
limits. No consultants. The format all done my way!
Internet radio takes us back to the
days when FM radio was in its infancy. Music artists that would
never be played on commercial radio because of lack of recognition.
Unfortunately, the Internet
broadcasting community is under attack by the same individuals who see
us as a threat to their well being. Corporate terrestrial
broadcasters and record companies, along with their allies in
Washington, D.C. have seized the opportunity to levy unreasonable
royalties on Internet radio broadcaster. This threat has put our
radio station and many others like it on the brink of extinction.
With the help of Live365.com,
SaveNetRadio.org, and other active partners, our struggle for parity
will succeed.
As Smooth Jazz and More celebrates
its 7th anniversary this July, I can only sit back in awe at how this has grown
since my first broadcast. I'm proud to provide such a unique
avenue for musicians who never would have been heard and a new set of
friends in the process.
It has become a labor of love!
Mike
6/27/2008